The little girl in the center is Infanta Marguerita, the daughter of King Philip IV. Her placement as the central figure along with her very white attire centralizes her importance in this painting. In addition, the environment behind and around Infanta is relatively dark, compared to her bright clothing. Although she is extremely young, she has many aids at her side, tending to her needs. An interesting point about this painting is that the man on the very left is actually Diego Valezquez; he included himself as painting in this picture. In the mirror next to Valezquez, there are two people's reflections, which are the reflections of Infanta's parents. Thus, it can be inferred that Valezquez was actually painting portraits of the royal couple, yet the center of attention in this painting is the young girl.
This painting used a rhetorical device of placement. Specific placement for each person was especially crucial. Infanta's location in the middle signifies her importance in this painting, as well as in the royal house as many aids are seen tending to her needs. Valezquez's placement of himself is significant, as although he is not in the center, he is still a visible figure off to the side.
This painting was initially not for the public eyes, but for the King's private office.
The painter's purpose was accomplished. As he was hired to paint the royal family, the beautiful young girl is displayed as the focal point, and his purpose of doing so was accomplished. The young girl is portrayed as pure and innocent, yet is aware about royal life she lives.
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